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K

W

SUPREME AS USUAL 

"SLOW BURN"

KIM

WILSON

KIM WILSON

SLOW BURN

MC RECORDS

RELEASE DATE : NOVEMBER 21, 2025

(USA)

THE BAND

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KIM WILSON - VOCALS, HARMONICA  NATHAN JAMES - GUITAR (TRACKS 1,2,4,6,8,10,12), BASS (TRACK 1)  BILLY FLYNN - GUITAR (TRACKS 3,5,7,11)  BOB WELSH - GUITAR & PIANO (TRACK 9)  BARRELHOUSE CHUCK - PIANO (TRACKS 1,3,5,7,11)  RICHARD INNES - DRUMS (TRACKS 1,3,5,6,7,11)  MARTY DODSON - DRUMS (TRACKS 2,4,8,10,12)  MALACHI JOHNSON - DRUMS (TRACK 9)  LARRY TAYLOR - BASS (TRACKS 3,5,7,11)  TROY SANDOW - BASS (TRACKS 4,8,9,10,12)  JOHNNY VIAU - HORNS (TRACKS 1,3)  JON ATKINSON - GUITAR (TRACKS 6,9)

Listen to samples - Kim Wilson - Slow Burn

THE SONGS

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01 I’M TRYING 2:50 | MILTON CAMPBELL  02 LEAVING YOU ON MY MIND 5:04 | KIM WILSON  03 SWEET LITTLE ANGEL 5:04 | B.B. KING  04 BOOGIE IN E 4:20 | KIM WILSON  05 HOWLIN’ FOR MY DARLIN’ 3:21 | CHESTER BURNETT  06 KEEP  OUR BUSINESS TO YOURSELF 3:47 | SONNY BOY WILLIAMSON II   07 THE TIME HAS COME 4:14 | ROBERT NIGHTHAWK  08 LOWDOWN WOMEN 3:56 | KIM WILSON  09 EASY BABY 4:35 | SAMUEL MAGHETT  10 GOTTA HAVE A HORSE 4:08 | KIM WILSON  11 KANSAS CITY 3:09 | ROBERT NIGHTHAWK  12 SO MANY ROADS 09:02 | OTIS RUSH

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THE FABULOUS THUNDERBIRDS feat KIM WILSON
DISCOGRAPHY

At the same time that the complete reissue of the albums released by The Fabulous Thunderbirds with Jimmy Vaughan in the band (1978–1989) is announced, Kim Wilson displays his paradigmatic state of form on his latest album, Slow Burn, the ninth solo album of his career and the fourth released through MC Records. There is no need to rediscover Wilson’s greatness as a composer, harmonica player, and seasoned frontman, but it is worth once again applying the adjective legendary to his status as a figure of contemporary blues. An indestructible artist, Kim Wilson has taken his music all over the world as an ambassador of Texas blues with the irreplaceable T-Birds, while also leaving his mark on countless albums by many of his closest friends. "Slow Burn" is his best solo album to date. Kim does not violate the essence of pure blues, nor does he dress it up with sometimes unnecessary arrangements. Instead, the songs - eight covers and four originals - are distilled with the simplicity of someone who needs no special effects to give his music its fullest meaning. Wilson is already a legend, without whom the contemporary blues coming out of Texas—the fiercest and most unforgiving blues of the survivors—could not be understood.

KIM SOLO RECORDINGS

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