TEXAN GARY CLARK JR., BORN IN 1984, LEADS A HETEROGENEOUS GENERATION OF MUSICIANS WHO, WITH THE BLUES AS A CORE STRUCTURE, HAVE DEVELOPED AN OWN STYLE THAT LINKS BLACK MUSIC WITH OTHER VARIOUS OPTIONS OF RESEARCH AND CONTEMPORARY CREATIVITY / THE RESULT IS POSITIONED AWAY FROM THE ACCEPTED PATTERNS BY WHAT WE UNDERSTAND AS ROOTS MUSIC, BUT EXPLICITLY POSITIONED IN THE MOST ECLECTIC AND DYNAMIC AVANT-GARDE OF ITS EVOLUTIONARY CONDITION /  WITH "JPEG RAW",  CLARK HAS WRITTEN A NEW DECALOGUE THAT GREATLY CONDITIONS THE BLUES IN THE 21ST CENTURY, THE FREEDOM WITH WHICH HE EXPOSES HIS POSITIONING IN FRONT THE LINES IN WHICH BLUES MUSIC CAN ALSO PREACH IS EXPOSED TO MARGINATION BY AN ORTHODOXY ANACHRONIC, BUT IN THE GLOBAL FRAMEWORK IN WHICH POPULAR MUSIC IS FOUND TODAY, THE RISK AND CONTEXTUALIZATION OF THE ARTIST IS ESSENTIAL / GARY CLARK JR. IS ONE OF THESE ARTISTS, HIS TWENTY-FIVE YEARS OF MUSICAL CAREER HAVE BEEN USEFUL IN BREAKING THE SKELETONS THAT SUPPORT THE BLUES STRUCTURES AND HAS ACTIVATED THE SPRINGS THAT ALLOW THE ENTRY OF OPTIONS AND REGENERATIVE ATTITUDES THAT WITHOUT A DOUBT FEED THE PROGRESSION AND REVITALIZATION OF A GENRE CHRONICALLY MINIORITY MUSICAL. THIS ALBUM WILL NOT BE LIKED BY EVERYONE, MAYBE IT WILL BE MISUNDERSTOOD, BUT IT WILL BE ABSOLUTELY NECESSARY FOR FUTURE GENERATIONS.